I saw 49 full or partial sets this year at Hopscotch (if you count the drive-by performance by the Helping Hands Marching Band, literally a drive-by, they played in a truck bed driving around town, I caught then outside of Raleigh Times) and only one repeat band (Des Ark once an acoustic and unamplified show at Lump Gallery, once at Kings for a rock show). Half of the bands I saw were locals (25) and almost exactly half of the bands were bands I’d seen before (22). Those two lists don’t overlap as much as you’d think, actually, I saw 9 local bands I’d not seen before.
Some of the most memorable parts of Hopscotch, for me, were parts that happened not separate from but perhaps adjacent to the music. Long conversations with friends, really getting to know some folks I knew only as acquaintances before, running into people at exactly the right time for a hug or a tear or a high five. If you know me, you know I care about the community and the music of the community in almost equal measure. Last year, mostly because I’d just been here 5 months when Hopscotch rolled around, I felt less ownership. This year, though, I’ve got as many non-musical memories of Hopscotch as musical ones, and that is what it is all about for me.
But on to the photography & music. My favorite photos I shot are in this set
Steve Gunn was outstanding; I watched his hands intently during his set and I still don’t understand how one guitar makes all that music. The light setup Xray Eyeballs had at Slim’s was the most beautiful light setup I saw all festival (and so simple). Lower Dens really impressed. And JEFF the Brotherhood completely lived up to my high expectations.
The gorgeous bright noon light streaming into The Hive during Tow3rs set.
Last Year’s Men’s set at Slim’s was the best set I’ve seen them play. The delightful confusion created in my brain by going from the Liturgy show to the Mount Moriah show. Frontier Ruckus covering the first verse of “September Gurls.”
JKutchma debuting his full backing band at his day party show. Both times I got to see Des Ark. Superchunk playing “Driveway to Driveway” followed by “Learned to Surf.” Leaning against the wall at Tir Na Nog and disappearing into the music of All Tiny Creatures. Finally getting to see The Prayers & Tears. Bombadil, everything about seeing Bombadil play a full set again and in such a great space. The rickshaw that appeared as if by magic as I left Flechter for my last venue change of the festival (only rickshaw I took all weekend), that ride through Raleigh in the cool night made the whole thing seem enchanted. Then, closing out my festival with a roar with Titus Andronicus.
But like I said above, Hopscotch in specific, and this music community in general is more than just the music. This year I thought the quality of music was stellar (and better than last year), and I know I felt more a part of it than last year. My favorite thing is that this whole scene is so accessible and so accepting of what everyone brings to the table. I lived in Baltimore and went to shows there and in DC and attaching into the scene in both places was always very difficult for me because it seemed a event based scene. Here, though, it is a relationship based scene. I knew, no lie, 8 people in the area when I moved down. I’ve been in Durham for a year and a half now and it’s pretty safe to say that I could walk into almost any venue on almost any night and run into someone I know at this point. This scene is so excellent because it really is about communities of people, that great art is the byproduct is just a happy amazement.
One of the things that did bug me during Hopscotch was how many people didn’t look familiar, at all. During his set Jason Kutchma put out a call, a reminder, that great music is happening here all the time, not just during the big festival. That’s what I’d like to be able to convince everyone of. There is great music almost every night. And it is so easy to become a part of it all: go out. Talk to people. Pick a venue where you saw good shows at Hopscotch or a venue in Durham or one in Chapel Hill and just go. Go two nights, maybe three nights in a week .Talk to the door person, the bartender, the other regulars, the bands. At any place in the area, if you did that three nights in a week, you’d be welcomed as a local. I mentioned that this is a relationship based scene. That means it’s easy. You show up, and chat. That’s all. And, hey if you need to know someone at a show, hit up one of the shows I’ve got listed on my calendar and come up and say hi to me. I’ll be the one drinking either Diet Coke or Club Soda, wearing my camera on my wrist instead of around my neck, and taking pictures primarily using the viewscreen instead of the eyepiece. I don’t bite.
There are all kinds of great shows coming up just this month alone. Basically the whole week of 9/18-9/24 will be outstanding. In that week I’ll get to see: The Low Anthem & William Elliott Whitmore at Local 506, Jim Ward at 506, Fleet Foxes & The Walkmen at the Amphitheater, maybe squeeze in the end of Midtown Dickens’ set at Pinhook, Megafaun’s CD release w/ The Prayers and Tears opening at the Cradle, then the 24th will cap it all w/ insanity – Pride, a Duke Football game, Motorco’s birthday show of Cracker, with Red Collar & Almost People opening, and Pinhook for The Butchies w/ Pink Flag opening. That day of the 24th will be, like, everything I love in one packed day. (and then I’m sleeping)
Full list of all the Hopscotch coverage from this blog here